bio
photographer and visual philosopher
Mirjam is a dedicated photographer whose work is deeply intertwined with personal beliefs and a commitment to meaningful discourse. She seeks to address and reflect upon the societal and human condition through the lens of a camera.
With a strong philosophical foundation, Mirjam’s photography is not just a visual medium but a catalyst for dialogue. Each image is crafted to provoke thought and discussion, aiming to counteract the decline of meaningful conversation in contemporary society. Philosophy and other arts serve as essential references and sources of inspiration, enriching Mirjam’s work and fostering a profound connection with the audience.
Through this approach, Mirjam aspires to not only capture moments but also to challenge viewers to engage with important issues, encouraging them to see and think deeply about the world around them.
artist statement
In the world of staged photography with miniatures, I find my canvas, my stage, and my voice. I attempt to craft minimalistic scenes that delve deep into the realms of the human condition. My work is a reflection of my fascination with the incomprehensible, the ambiguous, and the philosophical nuances that shape our existence. Each meticulously arranged tableau leads into a sphere where reality intertwines with imagination, where the boundaries between the tangible and the abstract blur into obscurity. I invite the audience to discover their own interpretation in each image. My passion for all art forms inspires my creative process, exploring a multidisciplinary approach. Drawing inspiration from literature, performing and visual arts, I extend the common perception of the photographic medium into a mediator between art forms. Through thought-provoking images, I intend to stimulate dialogue and contemplation, inviting the audience to confront the complexities of the human experience. In the delicate balance between reality and illusion, between the tangible and the intangible, I elicit introspection. This intense inner debate is the very nature of photography.
manifesto
the conviction behind my photography
What and how I photograph is deeply connected to my beliefs. I abhor violence and prefer meaningful discussions, the art of conversation in the Greek tradition, known as dialectics. I observe that this has lost its significance today, affecting society and the human condition as a whole. My photography is an attempt to counteract this, to spark discussions that may be inspired by my images. Turning a blind eye is not an option for me; addressing issues and processing them photographically is my goal.
Philosophy plays a crucial role in my approach, providing a framework for understanding and interpreting the world. Additionally, all other arts serve as points of reference and sources of inspiration or dialogue, enriching my work and fostering a deeper connection with viewers.